The film Black God, White Devil (1964), a key work of the Cinema Novo movement, uses bold visuals and raw storytelling to expose social injustice in Brazil. It explores how oppressed people often turn to religion or rebellion for hope, only to face more violence. The film reveals how true freedom cannot be found through faith or armed resistance, reflecting Cinema Novo’s goal of rejecting polished Hollywood-style storytelling in favor of gritty, politically driven narratives. One of the most striking scenes is the assassination of Sebastião, a spiritual leader, which is shown with fast cuts, close-ups, and stark lighting, making the brutality unforgettable. The film’s bleak view of power and revolution is emphasized by its cinematography, blending dreamlike imagery with a documentary feel. Characters are often shown against vast, empty landscapes, symbolizing their isolation and struggle, while the shaky camera movements mirror the instability of their world. Through its raw style and powerful themes, the film uses cinema as a form of resistance, forcing viewers to confront the harsh realities of injustice and poverty.